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A new era for the Yellowstone universe arrived with the release of Marshals in March. Despite becoming the franchise's most divisive entry yet, the pedigree helped turn it into one of the year's biggest streaming and network TV hits. Marshals averaged an impressive 25.24 million viewers within 35 days of its premiere, making it the most-watched broadcast TV series of 2026. With numbers like that, a renewal was inevitable, and it wasn't long before Paramount and CBS announced their decision to bring back Kayce Dutton for another round of crime-fighting. Production got underway almost immediately in Park City, Utah, and a newly released teaser now offers the first glimpse of what's in store for the next chapter.

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Hayao Miyazaki has been at the helm of Studio Ghibli , the legendary Japanese animation studio, in one way or another for 40 years – now serving as honorary chairman and continuing to direct feature films. Over the last few decades, he's seen a dramatic change in culture and technology while sticking to his traditionalist guns.

The death of creativity

Miyazaki is known for aggressively high standards and a dedication to the craft of animation.

Quote of the day

This article is part of TechRadar Pro's QOTD project to provide an insight into the minds of the brightest and most recognized figures in the technology industry today and in years gone by. Read the full series here .

For years, he has overseen teams of artists hand-painting beautiful visuals from films such as My Neighbor Totoro and Spirited Away frame by frame. His reaction to learning that artists on his team were experimenting with AI was pretty much as you'd expect.

Filmed speaking to his team during the filming of the 2016 documentary Never-Ending Man: Hayao Miyazaki , the animator was unequivocal in his condemnation of the use of AI for an experiment during the production of the short film Boro the Caterpillar .

Rage against the machine

Miyazaki shared his thoughts in this documentary a year before Google released the seminal paper on the transformer architecture that now underpins today's dominant AI models – and six years before OpenAI first launched ChatGPT .

Despite airing his views so bluntly, nearly a decade on, OpenAI's image generator became embroiled in controversy when thousands of people took part in a viral craze that involved generating Ghibli-esque graphics within seconds.

The trend raised serious concerns about the role that AI plays in the modern creative landscape. While it was used primarily for fun in this instance, it's easy to see how executives may see the time-saving potential of automation tools and the allure of removing the blood, sweat, and toil that humans put into their creative endeavors.

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Ahead of Carcass Clad's reveal at last month's PC Gaming Show, I had the chance to speak to Wrong Organ devs Jeffrey Tomec and Dave van Egdom about the studio's follow-up to its breakout hit, Mouthwashing. Carcass Clad is a very different sort of game , but with familiar themes and atmosphere . The bulk of our conversation, though, was about why the studio pivoted to co-op multiplayer, and how it feels to play.

It's a pretty warmed-over bias these days to assume any studio swapping from single to multiplayer is "selling out" in some way, but Tomec and van Egdom told me they hadn't even set out to make a co-op game initially⁠—Wrong Organ was just following the path of least resistance to the tank game it wanted to make.

"There was quite a bit of hesitation, but it also wasn't even the original premise for the game," Tomec said of the switch to co-op. "We had a cool idea for a tank game, and it was going to be a tank game where you control three people at once. Then we were like, 'That seems like it could just be a co-op game.' And now it's a co-op game."

"[The switch to co-op] happened very early in development," said van Egdom. "I think we first started talking about 'Tank Game,' as we refer to it, [around] July 2024. We did the first ideation stuff, and then it was only like three months later that Jeff pitched making it a co-op thing instead."

Tomec explained that, if the goal of Mouthwashing was to support its excellent script as much as possible through gameplay and visuals, the driving vision of Carcass Clad is to recreate the frantic, claustrophobic scenes from tank movies as emergent gameplay. Wrong Organ wants players to keep stumbling into scenes like the scripted one in Carcass Clad's reveal trailer .

"Our players have probably made a bit of a mistake in the trailer by getting jumped by an enemy tank around a corner, but we expect players in reality tend to make those kinds of mistakes pretty often," said Tomec. "It can be very stressful and very hard to see with how cramped the vehicle is, so things tend to find a way to sneak up on you."

Specialization

Each player has a specific, narrow role in how they contribute to the tank's success, with a team consisting of a driver, a gunner, and a commander. The first two are fairly self-explanatory, but both of those more hands-on play styles will be hampered by a lack of visibility and information, with the cramped, dark tank interior only providing narrow viewports to see outside.

Tomec told me that all three roles will be able to open a hatch and see outside the vehicle, but you don't want to do that during a fight. Hell, it might be a bad idea to do that when you're not actively fighting, lest somebody get the drop on you. " Up with miniskirts " indeed.

From our conversation and Carcass Clad's screenshots, drivers will be almost blind when piloting the vehicle⁠—they can't get a better view and move at the same time⁠—while it sounds like gunners will be limited to a super zoomed-in, scoped view unless they're poking their heads out. I'm picturing something like an FPS sniper who can't leave their aim-down-sights mode. That's where the third role comes in.

(Image credit: Wrong Organ) The commander gets the most complete set of information, but no direct control of the tank's function⁠—Tomec called it "the man in the chair fantasy"—and the core challenge of Carcass Clad seems to be the commander providing clear instruction and context to the other two, and them acting on it as effectively as possible.

"Being in a tank really just means you can't see shit around you," said van Egdom. "[Commanders] have access to a periscope, they can range find, they can do all of those things, make callouts, send drawings of the map and which route to take to their fellow crewmates, etc."

Tomec said Wrong Organ's goal is to "have everyone feel empowered in their own way, and really disempowered in their own way, where you feel like you're relying on each other, but also don't feel like it's just your commander yelling at you to do stuff."

Friendsweat

Tomec said that Wrong Organ took equal inspiration from military simulation games and the burgeoning "friendslop" genre of co-op multiplayer, but the final result diverges from both. Even though the co-op climbing game Peak, for instance, can have its moments of challenge and heartbreak, Carcass Clad sounds like it's in a completely different ballpark.

"We almost call ourselves a friendsweat game, if we had had to put a genre label on it," Tomec said. "We're definitely not quite at Peak, but we're not trying to make Arma either." He wants Carcass Clad to have a lot of what milsim players appreciate about the genre⁠—attention to detail, tactility, plus a high level of challenge and consequence⁠—but in a more fantastical setting divorced from high playercount PvP.

(Image credit: Wrong Organ) "My analogous example would be Helldivers," said Tomec. "The way that Helldivers explores a ton of military simulator mechanics in a framework that's very far from a milsim, and we'd like to be almost a tank equivalent of that."

I was very curious about those titular carcass clad tanks, and Tomec told me that this was largely something only enemy vehicles would be taking advantage of, mostly as a sort of improvised armor we'll have to chew through before damaging the tank itself. Having only enemy tanks be carcass clad was partially a practical concern with the game's perspective⁠—we won't be seeing the outside of the tank very much⁠—but we'll still have some ways of getting weird with it.

"You might find yourself with some weird shit inside the tank, and some of that weird, carcassy horror entering your vehicle," said Tomec. "But from a gameplay layer, armoring yourself is not much of a focus, it's most of the enemies doing it."

Mouthwashing was a game that left me so stressed and depressed , I had to go lie down for awhile afterward⁠—I had a similar experience reading the transcript of a recent PlayStation investor meeting . It sounds like Carcass Clad will evoke similar feelings in an actionized, co-op, run-based format. But there will be some quiet time too. Maybe.

"You will have some breaks. A run isn't just sitting there for two hours, constantly moving," said van Egdom. "There's a kind of Left 4 Dead run structure, where you'll have safe rooms in between, and in safe rooms you're very likely to be able to leave the tank.

"I say 'likely', because this is just where we're at in development. We could change fucking everything, man. We're going to do what we have to to make the tank cool. That's the baseline."

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Joshua Vides has unveiled an exceptionally cool exhibition in Los Angeles.

The cars on display have been painted to mimic 2D comic book sketches.

The display will be at the Petersen Automotive Museum until next July.

Despite what you might be thinking, these aren’t sketches or detailed renderings pulled from some automotive comic book. They’re photos of a large art display at the Petersen Automotive Museum, where several classic cars have been painted to look as though they leapt straight off a comic book page.

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Read: Lexus Let An Artist Loose On The IS, And It Looks Like It Escaped A Comic Book

The man behind the display is artist Joshua Vides, and his exhibition, called Flat Out , runs at the most famous automotive museum in Los Angeles until July of next year. It looks fairly bewildering in photos, and we suspect it’s even more striking in person. The cars aren’t the only things painted to resemble comic book sketches. The entire mock garage housing them got the same treatment.

Petersen Automotive Museum

The lineup includes old Mercedes , Porsche, and Ferrari models, each one hand-painted white first and then finished with intricate black accents that give them a flat, eye-catching 2D look.

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Classics Meet Comic Book Style

The body panels aren’t the only surfaces reworked here. Every other part of the exterior got the same handling, from the bumpers and lights to the grilles and air intakes. The Ferrari 308 GTS looks especially cool with flowing black lines extending across the bodywork. Clearly, the paint wouldn’t be very practical for a road-driven car, but as a museum piece, it looks wonderful.

Petersen Automotive Museum

“I’ve had the opportunity to paint numerous vehicles and create galleries before, but to bring ‘Reality to Idea’ to life in a gallery at the Petersen is a dream come true,” Vides said while speaking with Hemmings . “Every vehicle provides a unique canvas, as do the spaces they are set in. Doing this at the Petersen was such an honor, and I am excited for the public to experience this exhibition.”

Petersen Automotive Museum

Vides has previously worked with the NBA, Formula 1, BMW, and Fendi, calling his artistic style ‘Reality to Idea,’ aiming to take completed designs “back to the original sketch.” Access to the collection of five cars and the garage where they are on display is included with any standard admission ticket to the museum.

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Petersen Automotive Museum

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TL;DR

Google brought Collections to the Play Store a couple years back.

So far, the Play Store widgets all feature multiple Collections that are shown at once.

Google is now working on single-Collection widgets, to highlight just your favorites.

Two years ago, the Google Play Store introduced Collections , a method for making it easier to access thematically similar apps by grouping them according to topics like Shop, Listen, Food, and more. It didn’t take long after that for Google to introduce some new Collections widgets , giving us quick access to these categories straight from the home screen. Now we’ve spotted Google working on the next evolution of the Play Store’s widgets, splitting Collections out into multiple, separate widgets.

You’re reading an Authority Insights story. Authority Insights brings you all the latest exclusive reports, app teardowns, leaks, and in-depth tech coverage from the Android Authority team that you won’t find anywhere else.

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Spike Chunsoft has announced that Danganronpa 2x2 has been delayed to early 2027.

The studio behind the Danganronpa 2: Goodbye Despair remaster confirmed it will no longer make its previously planned 2026 release schedule, with a statement published by producer Shohei Sakakibara. Spike Chunsoft did not confirm exactly why it decided to delay Danganronpa 2x2 but did attempt to cushion the blow with first details about a new story remix feature called Slayhem Mode.

"While development has been progressing toward a 2026 release, we have decided to move the launch to early 2027," Sakakibara said. "We will share a more specific release date at a later time.

"We are continuing to work to bring you the best possible experience. We sincerely appreciate your patience as development continues, and we look forward to sharing further updates with you soon."

As for Danganronpa 2x2's Slayhem Mode, players were told to expect it to feature a new version of the original 2012 experience that tells a "completely different storyline." All we know about the mode for now is that it follows a new chain of events with " different victims, culprits, and tricks" and features about 20% more content than Danganronpa 2x2's Original mode. Both story options will be available from the beginning of the game.

Spike Chunsoft also took its delay announcement as an opportunity to confirm that Danganronpa 2x2 comes with 3D world map instead of a side-scrolling map. Character portraits have also been updated. You can see in-development screenshots below.

Danganronpa 2: Goodbye Despair fans were told they'd be able to revisit the story of Monokuma and Hope's Peak Academy when Danganronpa 2x2 was announced during a Nintendo Direct later last year. Although it's not expected to launch for a few months later than fans may have expected, it is still on track to release for PC, Nintendo Switch, Switch 2, PlayStation 5, and Xbox Series X | S.

Michael Cripe is a freelance writer with IGN. He's best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).