FlashFeed

Meta unveils $299 / £269 smart glasses (Meta Glasses) designed with EssilorLuxotticaThey match Ray-Ban Meta AI glasses on virtually all featuresThey add adjustable nose pieces and a lot of design and color choices"It’s pretty easy to make glasses that don’t look good, it turns out," chuckled Meta CTO and Head of Reality Labs, Andrew 'Boz' Bosworth, shortly after unveiling a bumper crop of new Meta eyeware, simply called Meta Glasses, all fashioned in collaboration with EssilorLuxottica.Bosworth says the team argues over "every gram, every quarter of a millimeter" in an effort to bring ever lighter, ever more comfortable, and ever more fashionable AI eyewear to the market. With this foray into making frames with a slightly less well-known brand than Ray-Ban, Meta is bringing the new frames — Adventurer, Fury, and Starfire Kylie [Jenner] Edition — to market at a somewhat startling price: $299 /£269 / about AU$430 (not counting prescriptions). No one size or style fits all when it comes to eyewear, Ankit Brahmbhatt, Meta's Senior Director of Product for AI glasses, told me as he walked me through some of the new frames. There are, he added, eight colorways and 26 different style options.Lance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureOgling the style choicesAs I looked around the room in the Manhattan event space, I spotted black, something like ivory, tortoiseshell, deep black, green, and a dark maroon. The frames range from larger and almost boxy-looking to thinner and lighter frames. In fact, many of the EssilorLuxottica frames are so relatively thin and light that you might miss the cameras hidden in the front, and the slightly thicker stems to accommodate components and batteries, and mistake them for normal frames.Kylie Jenner's cat-eye-style frames are particularly fetching, and surprisingly looked halfway decent on me. Brahmbhatt told me Meta worked closely with Jenner to develop the design, adding signature touches like a tiny gem in the frame, a mirror in the case, and even Kylie Jenner's voice in the Meta AI.There are structural changes new to the Essilor Luxottica frames. The nose piece adjusts with a push to three different positions, the stems are bendable at the ends (Bosworth noted that the wires are coated with a kind of cellulose plastic), and the stems actually flex outward. I tried on almost every style I could find, and they were all quite comfortable.One of the biggest changes, though, is the addition of a small button behind the traditional Meta AI glasses button that you might use to capture a photo or start a video: it's a tiny Meta AI summoning button, and I used it interchangeably with saying, "Hey, Meta."More and better AILance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureThis is also the first set of Meta AI glasses to feature a Meta AI system backed by the company's more robust Muse Spark models, which provide a more conversational voice, better context awareness, and the ability to tap into the zeitgeist by checking out social media (at one point I asked Meta AI if there was chatter online about fake food, and it confirmed that many were talking about it on social media).I tried the new Meta AI in a few scenarios, and it ably identified whatever I was looking at (I could hear it snap a picture before the analysis), launched a music playlist based on my surroundings, and translated Arabic print for me.That all of this comes in for under $299 /£269 (Ray-Ban Meta frames start at $379), and without compromising on the 3K video-shooting quality, 12MP photos, microphones, array, or speakers, is remarkable; but these are still relatively early days in the wearable AI space.Getting it right and making it safeMeta CTO Andre Bosworth (left) and Meta Head of Industrial Design Peter Bristol (Image credit: Lance Ulanoff / Future)Design is "really important if you want people to wear them as daily driver glasses," said Meta Head of Industrial Design Peter Bristol, who joined Bosworth on stage and took some questions from reporters.In perhaps a nod to how thick and oversized AI glasses can look, the pair talked about how they made subtle changes to the designs, slimming down the frames, or simply making them look thinner by, for instance, adding a chamfer along the top edge of the frames, near the brow.A good design means less friction, which Bristol believes can help with AI adoption.For Meta, the goal is to "reach every corner of the market," said Bosworth, but that approach does come with risks.Lance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureLance Ulanoff / FutureWhen asked about growing concerns about the privacy of these glasses (there have been reports of people wearing them to illegally photograph women and even tampering with the glasses to turn off the LED "I'm filming you" light), Bosworth acknowledged these issues, but reminded us that Meta had actually "pioneered putting LED on the glasses," and talked about the anti-tampering technology they put in Gen 2 Ray-Ban Meta AI glasses. But, he added, it's "a cat and mouse game."As for what the future holds, I pointed out to Bosworth and Bristol that, while they now have a lot of styles, not everyone wears, or wants to wear glasses. What about smart contacts?"Absolutely, that one’s top of mind for the design team," said Bristol, adding, "We are thinking and trying the other potential paths, but it’s a complicated space, so glasses is front and center for us.”Bosworth agreed with the premise of my question, admitting that he’s not a glasses wearer, but is happy to wear Meta AI glasses “because they brought a lot of value — but I’m aware that I’m doing it."The design team is absolutely captivated by this question. What are the other ways that we can deliver this capability to people who don’t have glasses on?"

The 84-year-old actor has spent decades bringing Samuel Beckett’s plays to life. Does his recent diagnosis give him new insights into playing ‘sad clown’ Krapp in a drama about age and the battlefield of memory?What a lot of Krapp. Pardon my French but Samuel Beckett’s haunting 1958 masterpiece about regret and isolation is having a moment. Stephen Rea recently took Krapp’s Last Tape on an international tour, Gary Oldman returned to the stage after decades away to deliver the tragicomic one-man show and this summer Stockard Channing will direct it at the Edinburgh fringe, with David Westhead as Krapp. Beckett’s eponymous loner, who sits in his dark den and ritually listens to tapes he made as a younger man, is riding a new wave of popularity.Peter Marinker first played Krapp half a lifetime ago and is preparing to star in a new production, reusing the tapes he recorded in 1983. How does he feel listening back now? “I thought of redoing them – it could have been better,” he says when we meet at the tiny Cockpit theatre in London. That assessment matches the spirit of the self-lacerating Krapp who looks back not just in anger but anguish. Marinker quotes Dennis Potter, who said we should consider our past with “tender contempt”. He adds wryly: “That rang a bell.” Continue reading...